a writer, researcher, and filmmaker working across moving image, text, and reenactment. Her practice explores how bodies are transformed into historical evidence through technological mediation, staged testimony, and archival intervention, tracing the unstable boundaries between memory, fiction, and political narration in post-authoritarian taiwan.
Since 2014, she has been a key conceptual collaborator in Hsu Che-Yu’s practice, shaping its research-driven artistic methodology. Over the course of a decade, their collaboration has culminated in the co-authored publication aberrant archive 2015–2025 (dmp editions, Taipei), as well as the artist bookA Few Exercises in Mourning, which includes the script of a lecture-performance commissioned by Theater der Welt in 2023.
She is currently completing her PhD in Modern and Contemporary Art at Vrije Universiteit Amsterdam. Her dissertation focuses on critical media art in Taiwan, Hong Kong, and China, examining how artistic practices reconfigure mediation, technics, and decolonial thought across transregional contexts. academia.edu
runcora [at] gmail [dot] com